The atmospheric video of the Blue collection continues to consistently develop post-apocalyptic aesthetics based on absurdity, nostalgia and instability.
“The quiet thoughts of despair has wandered into the early memories of the community gardens. The periphery of the strangest forms and meanings, crispy silence, drowned in enormous shadows, not clear where begins or where it ends.”
The phenomenon of collective gardens which then covered whole country, has survived only in fragments, through the filter of softly sad memories which stronger then ever relate to the world we see today, distant and self-isolated from society.